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Roberts, Jennifer L. Jasper Johns / in press. The Crosshatch Works and the Logic Print. Cambridge, Massachusetts: Harvard Art Museums, 2012.
Donación de ARLIS/NA
Ribeiro, Aileen. Clothing Art. The visual culture of fashion, 1600 – 1914. New Haven: Yale University Press, 2016.
Donación de ARLIS/NA
Putnam, James. Art and artifact. The museum as medium. New York: Thames and Hudson, 2009.
Donación de ARLIS/NA
Progetto Giotto. Tecnica artistic e stato di conservazione delle pitture murali …. A cura di Cecilia Frosinini. Firenze: Edizioni Firenze, 2016-2017.
Donación de ARLIS/NA
Pastoreau, Michel. Red. The history of a color. Princeton, New Yersey: Princeton University Press, 2017.
Donación de ARLIS/NA
Palfrey, John. Biblio Tech: why libraries matter more than ever in the age of Google. New York: Basic Books, 1972.
Donación de ARLIS/NA
O’ Neill, Morna. Hugh Lane. The Art Market and the Art Museum, 1893 – 1915.
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México visto por ojos extranjeros: 1850 – 1990. Edited by Carole Naggar and Fred Ritchin. New York: W.W. Norton and Co., 1993.
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Matisse, His Art His Textiles: The Fabric of Dreams. Le Cateau-Cambrésis: Musée Matisse, 23 October 2004 – 25 January 2005.
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Marciari, John. Drawing in Tintoretto´s Venice. New York_ The Morgan Library Museum, 12 October 2018 to 6 January 2019.
Loyrette, Henri. Degas, a new vision. Victoria: National Gallery of Victoria, 2016.
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Jones, Owen. The Grammar of Ornament. A visual Reference of form and colour in Architecture and the decorative Arts. New Jersey: Princeton, 2016.
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Jacques Jordaens. Homer, Hesiod & Aesop: Mith Fable & Basic Insticts. London: Matthiesen Gallery, 2018.
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Andrew Wyeth. Pennsylvania: Academy of Fine Arts, 1966.
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Hess, Thomas B. Willem de Kooning. New York: The Museum of Modern Art, ca. 1968.
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Heugten, Sjraar van. Van Gogh and the seasons. Australia: National Gallery of Victoria and Art Exhibitions, 2018.
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